With the assistance of Frank Cassano, Arnaldo Fernandez continues the critical tracking of this History Channel series – apparently no longer being aired in the United States – with a review of part 3, “Oswald Goes Dark”.
As I have written elsewhere, we will never really know the complete extent of Garrison’s files, because so many of them were lost, stolen or incinerated by his successor, the disastrous Harry Connick. But what did survive reduces Epstein’s weird world to rubble, concludes Jim DiEugenio.
If Shaw had restrained himself, or if he had had an editor to point out the problems with his design, then this would have been a good and valuable book about Dorothy Kilgallen: who she really was, what we know and do not know about her death. But such was not the case. I would actually recommend Sara Jordan’s informative and objective essay instead, concludes Jim DiEugenio.
James DiEugenio decries how the JFK assassination has been injected into the 2016 presidential election with Donald Trump's baseless accusation that Rafael Cruz was present with Lee Harvey Oswald in New Orleans when he distributed leaflets for the FPCC.
David Josephs reveals various issues with the Judyth Baker story which undermine its credibility.
by the Editorial Board
At: NYT
An interesting, well-organized, and crafted book. [Haslam] has given us a documented, insightful, and arresting alternative to the unsatisfactory, or missing, official story [of Mary Sherman's death]; that alternative may have huge implications down to the present day. His work deserves attention and accolades, concludes Jim DiEugenio.
Jim DiEugenio writes about how reporter Gus Russo digs up long-forgotten characters in the JFK assassination to slant the story toward the government's conclusions.
Case Closed deliberately suppresses and distorts the evidence that Oswald was involved in clandestine activities in New Orleans, writes Jim DiEugenio.
Lisa Pease explores Thomas Dodd's role in the Congo crisis and the Dodd connections to CIA and FBI assets in New Orleans in this provocative two-part article.
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